Plasticsoul – We Can Hear You, Clem Fandango
Nine years after Therapy (Big Stir’s inaugural release), California’s Plasticsoul return with a title that...
Nine years after Therapy (Big Stir’s inaugural release), California’s Plasticsoul return with a title that...
Pretending to Be a Person is The Jimmy C’s (Jamie Coghill) latest full-length, a 15-track DIY effort that...
Gary Calamar’s debut full-length, Odd Numb3rs and Slanted Rhymes, gathers more than a decade of hook-rich...
The new one from Detroit’s Mod Lang, Borrowed Time is one of the most pleasant surprises of 2026. Released...
Bob Hillman’s King of the Bees is a taut six-song power-pop EP that trades his folk-rock roots for gleaming...
The San Francisco quartet—led by Stephen Smith’s Costello-ish rasp and Brian Mello’s jangling guitar—pulls...
Weird Nightmare’s second album, Hoopla is a bright, fuzzed-out triumph of guitar-pop songwriting. Alex...
You’ll remember Ira Merrill from one of Seattle’s two best power pop bands of all time, Super Deluxe (the...
The latest from The Honey Stallions, Bona Fide, is an overdue but worthy follow-up to 2012’s Moonlighting....
Super 8 by The Amplifier Heads is a joyous blast of pure rock ’n’ roll from Boston’s Sal Baglio (The...
Released on the Kool Kat Music label, this San Francisco artist’s eleven-track collection entitled Eccentric...
Scott Gagner’s eighth album, Sweet Tooth, arrives just in time to resuscitate a somewhat slow summer for...
The Knack are back! Knackology: The Zen Recordings is a sparkling 19-track celebration that reminds us why...
Thirty years after cult classics like Rapple Dapple and Big Money Item, power pop stalwarts The Greenberry...
Marc Valentine’s new one, Uncommon Side Effects, is a power pop lover’s wet dream. Released on Little...
Go Time Is back again with this, their 11th album. Aptly titled 11, their latest explodes with the kind of...